Turn cover art into ads for a single, an album or a tour. Hook-led video creative for TikTok, Reels and Meta, aimed at building an audience you own rather than renting streams.
5 free ad generations. See results in seconds.
Start Generating Ads →TikTok and Reels for discovery, because the sound itself is the creative and the platforms distribute audio natively. Meta for retargeting listeners toward a presave, a ticket link or merch. Treat playlist pitching as a separate motion — it is not something ad spend buys.
Lead with the hook of the song, not the release date. Nobody has a reason to care that something is out on Friday until they have heard the eight seconds that make it worth hearing.
The audio must open on the hook. Cutting in three seconds of intro is the most common way music ads fail, because the scroll happens before the part that sells arrives. Cover art belongs in the frame as confirmation, not as the opening.
Cost per presave, per follower, per ticket — never cost per stream. Streams are the worst-paying outcome available and they do not compound, whereas an email address, a follow or a ticket buyer can be reached again for free.
Written to the brief above. AdCreator AI returns three variants per generation, plus the matching creative.
The part everyone rewinds is at 0:47
Out Friday. Presave it and it lands in your library the moment it drops.
Recorded in one take in a room with bad heating
You can hear the room. That was the point. New single, out now.
Usually not directly. Per-stream payouts are a fraction of a cent, so ad spend aimed purely at streams almost never returns. Aim at outcomes you keep — presaves, follows, an email list, tickets, merch — and let the streams follow from an audience you can reach again for nothing.
Video, on discovery platforms, because the song is the product and audio is what sells it. Cover art works as the confirming frame and in retargeting, where the viewer already recognises it.
Before release day, so the algorithm has learned who responds by the time the track is live and so presaves accumulate. Starting on release day spends the whole window teaching the platform who your listener is.
Yes, and the targeting is easier because the intent is geographic and dated. Run the hook of a live recording against the cities on the routing, and measure cost per ticket rather than engagement.